City Comforts Blog 

Cities, architecture, the 'new urbanism,' real estate, historic preservation, urban design, land use law, landscape, transport etc etc from a mildly libertarian stance. Our response to problems of human settlement is not "better planning" and a bigger budget for local government. But alas, conservative and libertarian (not the same, to be sure) response to shaping our cities is too often barren and in denial. Our goal is to take part in fostering a new perspective. But not too earnestly.

8/19/2003

We have moved!

City Comforts Blog is now at this new address:

City Comforts Blog

Please find it there.
















8/18/2003

Uh-oh

Smokestacks & Geraniums is an ongoing column in San Diego devoted to, in this case, raising cain by arguing for conversion of golf courses to housing the living:
"Here's an idea: Redevelop all 88 golf courses in San Diego County to provide much-needed housing and to plug budget deficits with the resulting increase in property taxes.

'Heresy!' 'Dead on arrival!' is the predicted response of links lovers, whose sporting ancestors began hitting those little white balls on San Diego's first courses more than a century ago.

How can anyone seriously speak of paving over nearly 12,000 acres of some of San Diego's most picturesque land for urban development?

What about the psychic relief enjoyed by golfers who can get away from the rat race and commune with nature and conduct business with each other?

Isn't there something to be said for the enjoyment of nongolfers who pass by the courses, refreshed by their green expanses instead of facing the monotony of concrete, glass and asphalt parking lots? Or something to say about the natural habitat preserved for endangered species or the stately trees lining fairways?

But face it, golf is a niche sport. Only about 10 percent of Americans play the game, half the number who camp, swim or fish. More to the point, the number of rounds played is not growing.

The sport ranks ninth in popularity as a spectator sport, surpassed last year by professional soccer, industry figures show. Tiger Woods is half as popular as was basketball star Michael Jordan in his heyday.

Strictly by land-use terms, golf is a land hog, taking up dozens or hundreds of acres for a single purpose, many times the space needed for other sports whose facilities can serve many functions.

A soccer field can become a baseball diamond, Frisbee course or dog park. Try walking your dog on a golf course and see what happens.

Of course, golf is not going to go away."
Is the author an agent provocateur seeking to bolster support for golf by arguing for something truly bizarre?


Establish a Blog! to Abolish all agricultural subsidies!

This post on Abolishing all agricultural subsidies! at Samizdata is fascinating in several regards.

I am definitely and absolutely against subsidies on principle except when they benefit something I favor, in which case I make a principled exception. And I have no well-formed opinion on ag subsidies except that they are bring together a nice combination of defense interests ("sustainability" with guns) and rural traditionalism ("cultural preservation" for the right).

But what is most striking about the post is that it is not particularly pushing Samizdata's own intelligent (but probably) fairly predictable opinion on ag sub.

The post is about a new weblog established by the Guardian a British paper of leftish perspective. A major left-wing paper has established a weblog (titled kickAAS) to favor a particular political policy. It's as if the Chronicle of San Francisco established a weblog to aid Ah-Nold. I'm not against it --- after all it's just taking one's editorial position and ratcheting up the energy-level --- but I am somewhat astonished.


8/17/2003

Another myth debunked

Excellent article by Mark Hinshaw on how Seattle's Fifth Avenue is flourishing beneath the monorail tracks:
"One of the enduring bits of Seattle folklore is that the monorail ruined Fifth Avenue.

Those opposed to the new monorail are particularly prone to cite the condition of Fifth as a dire warning about the future of streets in the construction zone, such as Second Avenue.

Fifth Avenue is, in fact, increasingly lively, livable and getting more diverse and intriguing all the time. I suspect the past features and fortunes of the street have far less to do with the presence of the monorail than the fact that few people lived or worked there. After all, there are plenty of cities in the world --- from Paris to Chicago --- with lively streets lying beneath overhead tracks.
"


Starchitecture Seduces

One Man & His Blog ask this question (I gather in print!):
"Why do the really interesting buildings always start going up just as the market turns?"

and BRIAN's Culture Blog responds:

"Which is an interesting question to ask about interesting buildings. The relationship between spectacularly fine buildings and spectacularly bad management decisionmaking has long attracted comment, especially when it comes to custom built headquarters, which have the knack of being built on the ruins of the enterprise that was supposedly about to occupy them, and at the very least of doing severe damage by diverting top management attention away from the job they are supposed to be doing, and towards their lovely new building."
The answer is astute. My only question is whether the initial question is based on an accurate statement of facts.


Comment on Comment from Transport Blog

I am endlessly fascinated by my libertarian friends at superb Transport Blog and their wrestling with mega-scale questions about the proper role of government in the development/management of transportation systems. A common theme is removing restrictions on the use of the road system. My knee-jerk response usually focuses on the central role of eminent domain in creating a state monopoly in the first place. For example, take this Comment offered by Patrick Crozier in the recent Segway thread :
"I have no idea whether the Segway is a good idea or not. But it strikes me as one in a long list of good ideas eg. bikes, roller skates, the C5, which might have been the answer to all sorts of our problems had it only been possible to give them the right sort of road space.

Take roller skates. Small, fast, relatively easy to learn. They should be fantastic. Lots of people should be using them. Why aren't they? Because if you skate on the pavement you are constantly bumping into people and if you skate on the road you get run over (if not arrested).

But what if you had dedicated roller skate lanes or even dedicated roller skate highways? Different story - perhaps.

Incidentally, this is one of the most compelling reasons (I think) to want a free market in transport - because if entrepreneurs could do their own thing we might actually find out what forms of transport were actually (given all the factors) the best. We certainly aren't going to find out so long as the state runs the show."
Back to our favorite hobby-horse, eh? The potential for a free market in transport. I couldn't agree more. Or less.

1. Why not look at the way things are as the result indeed of a free-market of choices but in a vast time frame and not bound by the use of coin? There's an expression "people get the kind of government they ask for." I believe it. Think of it as people, individuals, corporations, etc making choices over the span of several centuries or even longer. In the USA, at least, state creation/control/limitation of the transport system has emerged out of the desires of the populace. (Perhaps that is difficult for either the extremists --- I don't mean the people at Transport Blog, of course --- of left and right to accept, finding as they do on every hand a conspiracy to enslave the people.)

2. Crozier raises a valid question about the state monopoly over road space. This monopoly is an outgrowth of eminent domain.

And the reason we have (and forgive me for repeating myself yet again) eminent domain (compulsory purchase) is because earlier generations, going back hundreds of years, found it impossible to create transport networks without such a mechanism. Our tradition of eminent domain goes back to an era when The King's Highway was to be taken literally. (Though I am an anti-monarchy --- not that what the British do is any of my direct business --- I can also readily concede the evolutionary necessity for kingship and pay it its historical due.) You cannot create a network which crosses the properties of thousands (or at least hundreds) without compulsory purchase; and you cannot leave compulsory purchase in the hands of a private party as that leads to the very abuses which so concern libertarians. So we have a double bind: the bargaining problem, the "hold-out" problem makes it structurally impossible to create a network without eminent domain and yet to delegate eminent domain to private parties is even more horrendous than leaving it with government. I think that any discussions of the government as monopoly over road space must start with those assumptions.

***

Perhaps I demonstrate my lack of imagination but I cannot visualize a scenario in which our routes and corridors are transferred to private parties. Does that mean that we might lose efficiency compared to how a private party might manage the space? Perhaps in theory yes a private party could build/manage a street grid (and in Seattle, btw, that consists of roughly 50% of the land area of the city) better than the government does. But that's in theory.

I just can't see how it would either evolve or be managed. Indeed, that does mean that lots of good ideas --- more dedicated bike paths -- will be ignored by conventional majoritarian thinking. But the transaction costs of the market itself require that government (or something similar) step in to create common, network systems because The market is incapable of doing it itself.

Or else it would have already done so.


"Points on the Line" --- a bit close to the bone

I had never heard of the Center for Land Use Interpretation until yesterday (oh the wonders of the web!) and I don't know who they are nor precisely what they are doing but I think that I very much like what I think that they are doing:
"Points on the Line

Ruminations on some delineation of the West Coast

As part of its contribution to an upcoming exhibit, called Baja to Vancouver, which will be traveling to a number of art museums (from Baja to Vancouver) starting later this year, the CLUI has been examining the landscape along the West Coast of the United States. Field researchers from the Center have been filling in the gaps in the Center’s photographic and text archives, completing a study of the land use of West Coast of the United States - the coastal line itself.

Depending on who you ask, the West Coast is 1,200 miles long, as a minimum, or 8,000 miles long, if you include the bays and estuaries up to the head of tide. Even though we know it must have some finite length, there is, in truth no way to accurately measure the length of the coast. How minutely do you measure the facets of each peninsula, each rock, or each grain of sand? Some, for example, say Washington State has 157 miles of coast. If you add up all the islands and the estuaries, this number is over 3,500 miles. A recent googling of the phrase “how long is the coastline of Washington State” returned a single web page, one that describes the Mandelbrot set, the Van Koch Coastline model, and other mathematical structures related to fractals and chaos theory. Some of which, interestingly, suggest that the length of the coastline of Washington State may, theoretically, be zero." (emphasis added -- DS)
That last bit I find a bit disturbing, especially as I was hoping to go to the beach next week.


8/16/2003

A better breed

One of my links to the left, ARTSetc, has got to be one of the most intriguing yet confusing sites. I can't figure out how to navigate it, which is most unfortunate as there appears to be a wealth of very good material there. Owner Simon Harvey responds to my pleas ---I was trying to re-find a link there --- by suggesting that "[d]ifficult navigation produces a better breed of surfer: tougher and more agile." Reminds me of Arthur Ransome's summation in Swallows and Amazons of raising children around boats: "Better drowned than duffers."


The Missing Contextualism Factor

Here, thanks to A House at Pooh Corner, is a terrific slide-show titled The Om Factor which calls attention in passing to a question ---"Is there a city beyond the Bilbao Museum?" --- that I have never heard voiced much less answered:
After Frank Gehry's stunning Guggenheim Museum in Bilbao, Spain, opened to universal acclaim in 1997, midsized cities around the world raced to build their own architectural tourist attractions. The thinking was simple: As long as a new building is enough of a spectacle, visitors will show up in droves. There are plenty of subtleties in Gehry's design—mostly in terms of how carefully it relates to the streets and city surrounding it—but nobody flew to Bilbao for a lesson in contextualism. They went to be amazed." (emphasis added -- DS)


...private developers would take more precautions...

It is always useful to try to understand how other people see the world, much as one may simply shake one's head in wonder, such as this post on what I think is our marvelous (if not big enough) American system of National Parks and Seashores:
"If the government weren't keeping huge chunks of the seashore completely off-limits, I suspect private developers would take more precautions to manage their presence, and tread more lightly upon the shifting sands. The long-term rewards would be worth it. After all, once you've covered the entire OBX with ugly five-story boxes, nobody will want to vacation there anymore.

I suspect there's a corollary to this as well: The national seashore creates the tourist trade, which fuels a frenzy of development along the coast outside of that seashore. There are, after all, plenty of beachfront areas along the Atlantic and Pacific coasts which have not been completely choked off by new housing developments. Granted, none of these places are adjacent to a national seashore -- which proves my point. The national parkland makes the whole area a tourist destination and brings crowds of people in, which in turn fuels a lot of hasty and environmentally irresponsible development."
I question almost all the facts as well as the reasoning.


Thanks to 2blowhards

Thanks so very much for this and this!



More about "Eminent Domain"

I like this piece of art



titled Eminent Domain.



Some people are against Windmills

Rich, Famous Democrats offer a delightful target for mad-dog conservatives when such Democrats act like normal people and fight to protect their own personal interests from the perceived depredations of anything new, such as, in this case windmills as I learn from ivyJews:
"We're always hearing about how Democrats are better for the environment. So they should be overjoyed at the prospect of a project that will 'replace electric power plants and the pollution they cause' with wind power."
I have no opinion on this as issue as I simply don't know enough.

However I'm curious to see a map showing the location of the "farm" in relation to the value of houses which could be impacted. We are probably not talking about a great number of houses. Of course, they are the houses of Rich People (probably even a few Republicans, I'd wager) but still, there are not so many that they couldn't be offered a bit of the pie...perhaps some shares of stock in the venture at an insider price. After all, this is New England and they know the value of a dollar there. So buy off the opposition.

More importantly, I also wonder why some are so phobic about things that look like the windmills near Palm Springs, California, which I happen to think look pretty interesting:



In fact they are quite quiet, especially when compared to the fierce wind which funnels through this little bit of California desert. I found this windmill farm to be an incredibly exciting sensory experience; maybe Ted Kennedy et al could just start looking at this Nantucket Sound project as art.

People pay good money to fly to Holland to look at landscapes which prominently include windmills. What's wrong with windmills when they are off the coast of Martha's Vineyard, Nantucket, the Cape?

Cape Wind, the project proponent as we say in bureaucratese, has what looks to be an excellent web site. One page shows how photo simulations are produced and then the photos simulations (obviously self-serving but also perhaps very accurate --- I'd like to hear the opposition) are shown here.


Do the math!© -- Example 2 in a continuing series

NPR offers another example this morning of how one can Do the math!© almost every day. Report on the blackout. Fifty billion breathlessly thrown out as cost to rehab/repair/improve the electricity grid. 50 million people offered as number impacted by the failure. Without further political/equitable analysis, it's fair to start with assumption that people impacted should pay. (And it doesn't matter whether they pay through government subsidies to energy producers or pay through their rates: they'll pay.)
Take $56 billion and divide by 50 million people. Yields $1120/person. Assuming that such improvements can legitimately be amortized over ten years (which may be very, very short) that's $9.33/person per month. Yes that's a bump for a very low income family of four: $1.25 per day. (plus interest at very attractive municipal bond rates.) Still doesn't sound all that bad to essentially "rewire the world" outside my house.
I'm not trying to act like one of those free-spending liberals inspired by Senator Everett Dirksen who reminded us sagely that "A billion here, a billion there and soon you are talking about real money." Commentators and reporters should put numbers in perspective by creating a relationship to show what those numbers mean to us as individuals and families.
Of course there is a danger there: you can boil down anything to "well it's only pennies a day!


Samizdata on "Aesthetics and regulation"

Samizdata praises Virginia Postrel's NYT column The Eye of the Beholder.

Samizdata hopes that
"As the info-industrial economy advances, the regulatory state will look increasingly out of step and, one hopes, irrelevant and undesirable. Regulation is all about conformity, and while top down conformity might appear to be tolerable in a society that is struggling to make ends meet, one hopes that it will become increasingly intolerable as it becomes more of a barrier to the kinds of pleasure-seeking and self-realization that people are willing to go to great lengths to achieve when they have the means to do so."
I don't think so. Postrel correctly points out is that it is difficult for governmental bureaucracies to make aesthetic judgments. What she entirely misses is that the public is demanding that government make those aesthetic judgments. Zoning --- for which political support is absolutely rock-solid --- is now based almost entirely on aesthetic values. "Health and safety" --- the historic legal justifications for zoning --- figure less and less in modern zoning; it's more and more the nebulous "welfare" component which provides legal & political support for zoning's restrictions on private property. Only at the bizarre extremes or through verbal contortions can uniform setbacks, height restrictions, facade treatments, screening, historic preservation in its entirety and many other special rules be linked back to "health and safety." It's only by the fact that we have living, breathing citizens on the Supreme Court --- "Hey we live here, too!" --- that such requirements can be justified by the "police power." (Air and water pollution standards are an entirely different matter, and are based far more on standards which one can track back to legitimate health/safety concerns.)

***

In a related discussion (related in that it concerns human preferences and how they manifest themselves), Matthew Yglesias posts lucidly here on David Brooks' article People Like Us and takes Brooks to task for seeming to justify racial segregation. But I think that Yglesias misreads Brooks' (admittedly) somewhat confusing article.

What I think Brooks is really saying, for what it's worth, is that in fact we do not want diversity when it comes to the cultural proclivities of our neighbors. We don't care --- and I hope this is what he means --- what our neighbors look like so long as they think like us in terms of aesthetics, how they keep their houses and what sort of car they drive. An example: for most middle-class people, the big fear is neighbors who will park (yes it always come back to parking) their car(s) in the front yard.

UPDATE: I reread Brooks' article and he seems somewhat sanguine about the collective individual choices that people make which tend to a degree of self-segregation along racial lines. (I'm not even sure if he is correct about that actually.) But he doesn't even remotely suggest that governmental policy should support segregation; he merely states --- and I think he overstates the ethnic dynamic --- that people like to live amongst people with whom they are, in a word, comfortable. Maybe I am reading into him the most favorable and decent possible interpretation, but my sense is that he would agree that what he is really saying is that lifestyle trumps race.

***

So as to an increased concern for aesthetics, yes, Postrel is correct. And Brooks is correct. Rich people and rich societies become more fastidious in their preferences and like things 'just so' and can afford to 'make it just so.'

But as to such fastidiousness undermining government regulation, hardly. That's wishful thinking. In fact the concern for aesthetics, for certain kinds of uniformity, will provide merely another excuse for increased governmental regulation.

It is the task of realistic conservativism and libertarianism to accept that political reality and to provide less-restrictive means of achieving them. If they continue to deny the underlying impulse to re-form our physical, urban environments, they will continue to linger well outside the corridors of land use power.

UPDATE: Postrel's own web site has a comment worthy of response.
Bingo! Do I love your piece today! This is the great debate in hi fi. Do we want engineering dweebs to tell us what they think is accurate and what they can measure is the only relevant yardstick for judging sound quality? Or do we let consumers say what they like or don't like without getting hung up over whether it's imaginary or mislabeled or irrelevant? Or even possibly something genuinely important that they can't measure yet?
There may indeed be a realistic case for less governmental regulation when it come to individual consumer products such as Hi-Fi. (And I was not aware that there was any a large push for governmental regulation of HiFi in the first place.) But in any case, the idea that "consumers" will take care of everything when it comes to a common good is incorrect. In fact it is structurally impossible because of the ludicrous complexity of the transaction costs involved i.e. there are simply too many unknown and unknowable actors who create our experience of the landscape for anyone of us to negotiate with them to pay a bit more/less to walk/drive by their building if it had this shape rather than that one. The experience of the landscape is not a consumer good like a CD. The landscape (and I wish it were different --- I am only saying this out of sad acknowledgement) is so big and all-encompassing that the approach taken with a consumer good is impossible. For both political (i.e. people want it) and structural reasons (the transaction costs of doing anything else are impossible), there must and will be regulations to govern the aesthetics of the landscape. The only question is their scope.


8/15/2003

"Affordable Housing" --- How Many Care?

This post at Brad DeLong's Webjournal combines so much that interests me.:
"...the way to get more people to live in California is to increase residential density in places near the coast where people really like to live, and to invest more money in schools. The housing price gradient vis-a-vis the rest of the West is ferocious, as is the school quality gradient vis-a-vis the benighted lands east of the Mississippi.

However, I do need to admit that the business and regulatory environment is *always* in need of revamping. Red tape grows like kudzu, and needs to be aggressively pruned back every year."
There it is:
• a new, hitherto unheard of social goal --- growing California's population,
• a misplaced goal--- increasing residential density,
• something few want --- lower housing prices,
• then coastal management (my first real job was in Washington State's "Shoreline management,)
• schools (I have strong ideas, based on my own Lousy Ivy League Education),
• and last-but-not-least --- out-of-control bureacracy!

Luscious. I love it.

But why do I shut my ears when I hear calls for "pruning back red tape"? I happen to live with the stuff; I apply for permits and I know as well as anyone that it's a nightmare of a system in Seattle (and I gather it's not a lot better elsewhere, except for places where fewer people want to live so they give out permits without much adult supervision.)

Why then are calls like DeLong's above a yawner? Because it won't happen. Or at least it won't happen because people call for it.

People like complex bureaucracy when they perceive that it protects them. And as very, very few people ever apply for a permit, they don't really care how long it takes to get a permit. There is simply no political support for pruning back bureaucracy. Especially when the opponents of bureaucracy provide no credible, realistic substitute for "over-regulation." The solution to over-regulation is not "No regulation." Doesn't the right-wing get that?

The "affordable housing" issue provides a corollary; great idea but there is no real political support for it.

I've posted some remarks --- Affordable Housing --- I gave at a Seattle Chamber of Commerce "Leadership Conference" several years ago. It has a lot of local Seattle content and will bore most people. So only if you are truly interested in affordable housing should you bother to download it, much less read it.

But the punch line is simple: Too many individual and interest groups actually gain by steadily increasing housing prices for there to be a natural, ready-to-roll political base for significant action. Even if anyone knew what to do about making housing affordable besides giving people money.


The coffee revolution

As the spread of coffee/Starbucks etc etc is a significant part of making a comfortable city, and a very significant cultural phenomenon in itself besides its "communitarian" implications, I will link to several of Michael Jennings' interesting posts on the matter here and here and here and here. Jennings must be a coffee drinker.

Here is the very first Starbucks,



which amusingly-enough is in Seattle's Pike Place Market. (If I were to take a foreign guest on a tour of Seattle, I would show them 3 of our greatest constributions to the world: the first Microsoft HQ, the first Starbucks and --- I kid you not --- the first Costco. And more on Costco later.)

As I remember, when this Starbucks first opened it sold only whole beans, which was a cultural advance in itself in the early 1970s. I seem to also remember that coffee drinks were offered initially only as samples.

And I say amusingly because I do not believe that Starbucks ---were it not already there --- could establish itself in the Market because it is a national chain. Management (the Pike Place Market PDA) does not want it to become dominated by national and regional chains. As they say here:
"The PDA commercial property management department welcomes all applications. Current policy favors applications that exemplify niche or specialty businesses that appeal to local shoppers as much as, if not more than, shoppers from out of town. Please note that at this time the PDA is unlikely to pursue any applications for fast food businesses, jewelry shops, or gift stores that feature souvenirs, tee shirts or sweatshirts...Under current leasing guidelines, space is available for lease for a period of one to three years."
I can understand where they are coming from. Shopping centers managers are very practiced in how to create the tight "mix" of tenants. But the Pike Place Market is a Market and it has always struck me as strange that it should be so tightly managed. Oh I am sympathetic to the issues and I also would not want to see the Market dominated by national chains, which it would be were there not rules to prevent it. Yes, I am well-aware of the history and how greedydevelopers (it's one word) would like to destroy it. One of my first chances to vote was in the 1971 election to save it. And yes of course I voted for it. (Take a look at HistoryLink's well-done sketch of the Pike Place Market if it's all new to you.)

But, it's called a market and I think it's funny/ironic that it should be managed as if it was the thing it detests the most: a shopping center.


8/14/2003

An interesting career niche

I can't stand the term "Architecture Buff" as it reinforces the idea of architecture as an "art" and what's worse an "art" of creating precious-objects to be set on a shelf, just something else for hobbyists to "collect."

But this guy looks like he has created a very interesting niche for himself in brokering seattle modern mid-century and beyond real estate. Here's an example.



This house is owned (I believe) by the City of Seattle and was acquired by it as part of assembling a "green belt." I was in the house once and it's interesting if you like the 1950s; the site is rather dark, though, as it is tucked into the trees at the westerly base of a big hill, so it gets little morning light.



"Books galore as craze hits city"

I had never heard of "bookcrossing" until a few moments ago.

Be careful out there.


8/13/2003

Do the math!©

I read the following quote here:
"August 13, 2003. California is now so bankrupt -- over $34 billion in deficit -- that it's hard to conceive how it may ever climb out of its hole. Seems to me that California, by defaulting on some of its own massive obligations, could singlehandedly turn the bond market from a rout into a train-wreck, perhaps even setting in motion the mythic cascading chain of failures that would melt away the global credit daydream like sunlight beaming on a claque of vampires caught out of their graves by mischance at dawn."

Well let's see. $34 billion of debt divided into some 35 (?) million people...(and I used my $2500 better-than-NASA-had-in-1969 computer to do this extremely complex calculation but it is actually just arithmetic and there are even people who can do it in their head by knocking off zeros)...yields some $971 per person. Call it a grand. One thousand dollars ($1000.00) per Californian including babies and the senile. Does not sound like a real crisis deal to me. I think that those Cwazy Californians will be able to pay off their debt. (Unless they want to default like the State of Washington did when it came to paying off nuclear power plants.)

***

I have an astute friend who got me to thinking that every time you see a set of figures in print you should Do the math!© The reporters who provide figures ---hard data!--- rarely if ever (Gretchen Morgenstern and Floyd Norris of the NYT are two such rare exceptions, if I remember correctly) Do the math!© And sometimes if one does Do the math!© you reveal some surprising relationships. Such as that the California state debt of $1000 per capita --- not even remotely equal considering inflation to this 1882 Gold Certificate:


(image courtesy Federal Reserve Bank of San Francisco)

--- and does not appear to be such a deep pit out of which to climb. A matter about which to be concerned? Of course. Cause for contemplation of the abyss? I don't think so.

***

Do the math!© will be a continuing feature of this Blog. There are examples every week in the media about which to chuckle. Most of them breathlessly present a dramatic number without creating a relationship to show the importance or triviality of the number. And I promise, this Blog's Do the math!© feature will never, ever go beyond addition, subtraction, multiplication and division. Because I can't. Even with a computer.



Anti-golf tirade

I was shocked, hurt and appalled when I read Murph's anti-golf tirade.

No, actually I was grateful & delighted as it gave me an excuse to open up discussion on one of my favorite topics: environmentally-sound golf. No, that is not an oxymoron. It is a distinct and real possibility, though I make no claims to the current state-of-the-art.

Two factoids to consider:

1. The tradition of golf in Scotland (at least in ye olde dayes) allowed the entire family to join in and walk the course with the player. The course was not a sanctified Holy Ground on which only the properly-shirted (must have a collar) could play in splendid isolation.

2. The tradition of golf does not require sopping-wet turf from tee-to-green. In fact, so I understand, the tradition in the British isles is to allow the fairways to brown-up in the summer i.e. they are not irrigated and so no rain, no green. This creates a different game. The fairways may become dry and hard. The ball rolls, rather than plops in place close to where it lands. The fairways are more difficult to play, when compared to 'wet'. It's a more difficult game because the bounce of the ball is less predictable.

To my understanding, the central, continuing problem of North American golf courses is run-off of pesticides and various chemicals used in turf management. At base, this problem is "cultural." If golfers did not expect the fairway to be a luscious greensward at all times of years, golf course managers could decrease the amount of irrigation and use of chemicals.

As to greens, they are manicured and cultivated very intensely. The grass is so incredibly thin and so incredibly heavily trod that it requires intense management including a great deal of chemistry. (Whether there is a work-around there, I don't know.) As a golfer, I concede that greens must be, well, green. And that means water and chemicals.

But greens are also very small. In fact they are a wholly created environment and it is not at all inconceivable -- in fact maybe it's even the current "best-practice" -- that a green would have its own run-off collection-and-treatment system so that it had zero impact on the surrounding water-courses.

Golf course design is a luscious subject, at least for those of us who pretend to play golf. Visit golf course architect Tom Doak's site and in particular read his charming book The Anatomy of a Golf Course which contains the following words relevant to the issue of "cultural expectations" and thus the environmental impact of golf:
"The golf industry's defense against public concern has been to assert that no changes are necessary, because of the unspoken assumption that the game will suffer if course-maintenance standards are scaled back. Yet, if golfers accepted somewhat lower standards for fairway turf, the chemically maintained area of the course could be decreased by as much as 90 percent....Golf architects must start building green complexes that remain playable even if the standards for fairway turf are relaxed...The sport of golf can and will survive more flexible standards of course maintenance; it might even become stronger. The vanity of eye-appealing green turf is all that has to be sacrificed."


8/12/2003

Dost thou blog?

Terry Teachout is concerned and hopes for a a prettier name for 'blog':
"Terry Teachout asks: I invite your suggestions for a prettier neologism with which to replace 'blog.'

A correspondent responds: I suggest 'ediary' (from, obviously, e for electronic and diary for, um, diary), but --- and here's what makes it elegant --- pronounced with the stress on the first syllable, as in apiary or breviary. I also thought of 'idiary' (for Internet diary) but it somehow seems to imply low intelligence on the part of the blogger. Another suggestion is 'enchaineton' --- an online version of feuilleton (since feuilleton is 'little leaf' for the French, and enchainement is what they call a web)."
Good grief no, please.

The very dorkiness of the word blog is its prime advantage; it acts to discourage pretension. No one who has internalized blogging or enjoys being a blogger could possibly come up with a word such as ediary and use it with a straight-face. In fact every weblog ought to have the suffix blog stapled to it, if simply as a reminder to both blogger and bloggee that the blogosphere does not take itself too seriously. (Oh well, except when it struttingly claims to have removed the editor of The New York Times.)

The onomatopoeia of the word blog is a down-to-earth reminder of our common origins in the primordial ooze. (Which btw does not preclude any other origins, which of course is the whole magic of the thing.)



"shockitecture"

Certainly not conclusive, but...





Michael J. Totten on Jim Kunstler's The City in Mind

It's great that Michael J. Totten posts on an interview with Jim Kunstler about his book The City in Mind and thinks that the interview is a gem. Any discussion of cities is beneficial, though practical discussion is best. And that's my issue.

Jim opines:
"Q - What about strip malls? Those don't shock and appall people.

Jim - One of the other strange unforeseen consequences of the modernist movement was that it gave corporate America an excuse to build cheap and ugly buildings. When ornament has been outlawed and is deemed incorrect, you can just put up boxes. The more utilitarian the box, the less money you'll put into it. If you go back to a different culture, the Beaux Arts period in America a hundred years ago, even a businessman would be persecuted for putting up a building that wasn't attractive. Look at any business building put up in 1905: a beautiful building, beautifully decorated and proportioned. Even the fire houses. But it was all thrown in the garbage in the post-war years."
My take:

Kunstler had just a moment earlier made a very valid point about the deliterous impact of "shock architecture." ("shockitecture," Brian.) The interviewer has asked a good follow-up about strip malls which do not "shock and appall" but simply bore. But Kunstler does not explain the problem with strip malls. He lifts off into a possibly true but irrelevant notion, (similar to the one made by Jeffries & Scruton in their essay about "The Future is Classical" which I discussed here) which diverts people from practical solutions. Yes "corporate America" is bad and wicked and evil and has no values except GREED! GREED! and more GREED! OK, that must imply the need for a moral revolution in order to have great, even merely better, cities. I say that's confusing the matter. And it is unfortunate that so many very intelligent commentators like Kunstler (as well as Jeffries & Scruton) present the issue in terms of some contemporary version of “moral re-armament.”

Both Kunstler and Jeffries & Scruton make the point or at least imply that a well-decorated strip-mall would be a vast improvement. Well I guess it would be an improvement. But it would still be an auto-oriented strip-mall on an auto-oriented arterial i.e it would ignore The Three Rules for creating pedestrian-oriented streets and it would continue to foster an auto-oriented world.
“What do you get when you build a strip-mall with columns?”
“You get a strip-mall with columns.”
(The real problem is that we don’t understand site plan, not the lack of columns or the absence of appreciation for beauty.)

I'm glad that Totten is interested in cities; and Kunstler definitely has something to contribute. But it's unfortunate that Totten thinks that a quote like this one below is particularly useful:

And in answering a different question he gets right to the root of it.
[W]e Americans have a weakness for the idea of the cutting edge, and we're easily led into mystification. It comes from our hysterical Protestant Puritan national experience, which breaks out every 60 or 70 years, like the Great Awakening in the 1740s, Mormons in 1830s, hippies on 1960s. Americans like to by mystified, and they're easily impressed by obscurantists, wizards of Oz, people coming from Europe with their funny accents.

In Europe, architecture had social and political content, but when it came to the US it became just a matter of fashion. So you have all the practitioners in the post-war era doing this brutal architecture in which history has been eliminated, and the forms are brutal, and you have an additional problem: our cities are being tyrannized by automobiles. You're getting a wholesale degradation of public space. In one sense, Americans' public space is being systematically degraded, and on the other hand, the architecture being used to occupy it is becoming more and more degraded.

This was a main component of the Marxist hoodoo that attached itself to architecture after 1945: in order to be good, it had to shock and appall the bourgeoisie. That's us, normal educated people. When you say that normal people know that this is bad, they're reacting appropriately to buildings designed to shock them and injure their sensibilities.
Read it all. Kunstler is equal parts witty and wise.
I disagree, Michael. That's not the root of it at all. While I share Kunstler's contempt for shock architecture I'd like to suggest to him, as well as to Jeffries & Scruton, Knorr, Kimball et al that hectoring, moralizing and intellectualizing are not even remotely germane to re-shaping our cities much less persuasive to the vast bulk of ordinary voters. The idea that somehow it is our infatuation for the cutting edge and for “mystification” (whatever that is and as if the Japanese and Europeans are immune) strikes me as a mis-direction of public attention. It makes the problem one of society's fundamental structure and implies the need for some sort of revolution of left or right.

Please leave me out.

Let me put it another way. When we discuss the problems of urban form as some sort of moral and structural failing, we set the bar so high that progress is unlikely. The significant achievement of Duany and Plater-Zyberk and all the New Urbanists is that they have to some large but obviously incomplete degree (e.g. Kunstler) avoided the ideological. They have focussed on boringly-mundane specifics: how wide do you make the street? where do you place the building on the lot? etc etc.

To introduce ideology, theory, "big ideas" such as Knorr's airy-fairy abstractions of "knowledge, tradition, beauty, and truth" to the discussion is great for the blogosphere but not especially relevant to the landscape.



8/11/2003

=== Geyser Land ===

Sure sorry I didn't know about === Geyser Land === until yesterday, when I read about it in the NYT.
"Geyser Land is a site specific installation conceived by video artist Mary Ellen Strom and performance artist/choreographer Ann Carlson. The Myrna Loy Center/Helena Presents will produce this new work on August 13 and 14, 2003.

Geyser Land will take place along the railroad tracks between Livingston and Bozeman, Montana. The audience will experience this hour-long work while being transported in a railroad passenger car. Out of the train’s windows the audience will witness video projections on rock faces of mountains, commercial buildings and industrial sites. Live performers will re-create archival photos in the tradition of tableau vivant outside, amidst and embedded into the projections.

Geyser Land seeks to be a conceptual tourist attraction; it is an actual train ride, a work of living sculpture, a multi-dimensional art work that investigates the multiple ways a western mythology was constructed over one hundred years ago that laid the groundwork for the region's colonization and development.

The audience boards this beautiful train, complete with dome cars and refreshments for this hour long experience. On the train the audience sits right in the middle of it all, video projections, live performances, tableaus of archival photos and voices of both contemporary and historical peoples will envelope the rider. The train locates the spectator in a tourist position, invites them to consider how the railroad was a tool of colonialism, and exposes how nineteenth and twentieth century representational systems such as photography, film and advertising produced and promoted the West’s mythologies. The Geyser Land experience is located near the entrance to Yellowstone Park; a place trafficked by millions of contemporary tourists each summer.

Geyser Land is a celebration of place as well as a pointed look at history, time and landscape. The contemporary spectator is challenged to make comparisons between the cultural ideology, economic reality and landscapes of past and present."



Steal this comment

I am absolutely not approving --- tsk! tsk! --- what was done by this Australian living in London. But it is extremely witty.

The spirit of Abbie Hoffman lives on.


Market? or Government-imposed fees?

Thanks to the invaluable early-warning system of Transport Blog, I learned about a minor little problem with London's congestion charge which could be called "Too successful for your own good."

Transport Blog links to this London Telegraph opinion on congestion charges:
"But more importantly, the scheme can't fund itself. It has an inbuilt contradiction. The more people it deters from driving, the less money it raises."
The problem --- no, it's not a problem at all, it's just a basic reality of human perception --- is that there is such a thing as "elasticity of demand." Raise the price, people _may_ purchase less -- in fact they usually do. Lower the price and they _may_ purchase more. (One hopes.) The essential business skill is in adjusting the price to keep demand where you want it...wherever you've decided is optimum. Pretty basic. But it seems as if someone in London may have ignored this little fact of human behavior.

The problem wih the London congestion charge as now arranged seems to be that the authorities may not have understood that they would have to decide if they are charging:
1. as a business --- to raise money or
2. as a government --- to manage a public good (in this case to decrease congestion to what one presumes was some pre-determined optimum level)

You have to be clear on which is the higher priority or else you won't be clear on how or when or if to adjust your charges. And until you are clear, you won't have a market but only a government fee system.


8/10/2003

The Light at the End of the Tunnel

I never really understood the expression The Light at the End of the Tunnel until today when I rode my bike through the 2.25 mile long, former-railroad Snoqualmie Tunnel with my Dogscooter buddies as I promised I would here and I actually experienced, big time, The Light at the End of the Tunnel.

We're only about 200 yards from the western exit in the photo below.

When we entered the tunnel, the end was so far away that we could not see it at all, not even a speck of light. It was total pitch black. (The trail takes a quick turn within a hundred yards of the easterly entrance so the darkness is sudden and complete.) And when the speck of light did appear, it was simply that: a tiny brilliance which I initially mistook for a distant signal light or perhaps the headlamp of an far-approaching cyclist. It took us 20 minutes to ride through the Tunnel. We went ahead of the dogs so we could warn any horsepeople to stand clear at the far end: dog-scooters on the trail!



Being unable to see the sides of the tunnel is very disconcerting; it is hard to balance on a bike when riding in pitch black.

UPDATE: Now I also have a better insight into the expression Tunnel vision.


The True Test

Harriet Festing at Project for Public Spaces discusses a cultural variable of the first order: Kissing in Public
"But kissing is the true sign of liberation. Lovers like to do things prominently, in a mood of egalitarian bliss, when the sun is warm and the whole world is watching...



...All of which leads me to wonder how London will manage with its 20% decongested, newfound freedom in the public realm. A pedestrianized Trafalgar Square, promises of a world-class park along the South Bank, and Livingston's plan for 100 public spaces - how will our straight-laced officials cope with the informality?"




8/9/2003

A note on the shirt with the logo

No, that one is not for sale. It's starting to fray.

The logo was created for a party. About a dozen years ago...1990?...a group of us, people who had been close friends in the late '60s and early '70s had a reunion and we had the logo silk-screened on t-shirts for the event. People came from far away; it was a memorable party.

The logo shown here



is embroidered on a knit collared shirt I had made when I was on a golf jag a few years ago.

Most golf courses with any pretension to tradition have a dress code (for example) and require a shirt with a collar (tucked-in the trousers, no less)--- No Sir, even an official T-shirt from the Metallica concert is not 'regulation'. But I knew that a collared shirt with a Committee for Respect for the Sixties logo would be just the ticket for mixing-in at the 19th hole.

All humor aside, and much as I laugh, there really is something grating about playing golf with a guy in a ratty t-shirt; it's really disgusting. So I apologize to all and any past playing partners.


Which 1960s?

Perhaps I existed in a different 1960s --- one totally of my own hazy imagination --- than did Michael at 2blowhards.com, and perhaps wearing a different shirt today? --- here's the logo on the shirt I was wearing at the very moment I read Michael's post (and you'll have to pry it from me) ---



--- because I cannot quite follow his suggestion that Co-op City is a manifestation of the spirit of the '60s. It is to my mind pure 1950s Eisenhower/Robert Moses urban renewal and has nothing whatsoever to do with '67, sex, drugs, rock'n'roll, the Moosewood Cookbook or the Whole Earth Catalog. He writes here:
I have a theory -- I'm not sure it's defensible, but it's mine and it gives me pleasure -- that politics in America during the last 35ish years boils down to this: that everything is a reaction to the '60s. There's been nothing new, nothing really different. Just a bunch of reactions. The problem is that the programs of the '60s went too far; no, the problem is they didn't go far enough. The solution is they need to be reformed; no, the solution is they need to be ditched entirely. And meanwhile the bills for what was put in place during the '60s continue to pile up ...

An example? Here's an amazing article by Alan Feuer in the NYTimes about Co-op City, a 35-building neighborhood in the Bronx. Built in 1968 and currently home to 50,000 people, it was one of those we-can-do-anything postwar government projects, and was intended to create "affordable housing" for low- and middle-class families. A state program oversaw construction, and state money was used to make the whole thing happen. All very huge, as well as very idealistic and ambitious. Ie., very '60s. (Tarzan yodel here.)
Michael's theory is excellent --- a great deal of our current political conversation is indeed a debate about the 1960s --- and I happen to agree with his political analysis. But his example of Co-op City does not illustrate it. Co-op City may have been built in 1968, but it grew out of a top-down statist approach which also gave us city-destroying urban freeways. I don't think that Co-op City and Esalen (to choose the real 1960s cliche) have much in common at all.
Great theory, questionable example.
Now if you want to debate the 1930s...

UPDATE: At openDemocracy Todd Gitlin discusses The Clinton legacy and America and in a different way agrees with Michael Blowhard:
"For the scorched-earth right, Bill Clinton was, if not the literal Antichrist, a close approximation: the perjurious, adulterous doper Slick Willie, admitted draft dodger and reputedly serial womaniser who had opposed the Vietnam war, visited Moscow, and married a card-carrying feminist who only belatedly took his name and was the first professional woman to take up First Ladyship in the White House. Clinton was, in their eyes, the 1960s incarnate..."
the 1960s incarnate Yes, for all his flaws, and there were many, I'd vote for him again.


"...a solution looking for a problem"?

Brian blogs about the Segway personal transporter and wonders if it is a "...a solution looking for a problem."

By coincidence I tried a Segway a few days ago. Fun but no cigar; I'd rather bike if the weather is nice etc. and so I think he's right in terms of mass recreational or commuting use. It's too slow and exposed (to traffic and weather) and not fun enough for well, "fun," use.

But apparently the Segway may have a narrow but perhaps profitable application with municipal/utility meter-readers etc etc.and who are constantly stopping-and-starting. Seattle has conducted an experiment with some success. Segway scooters are a big hit with the city:
"The city of Seattle's six-month Segway experiment went so well that the self-balancing scooters will likely become permanent.

Fleets and Facilities Director John Franklin said yesterday he wants to ask for 10 more next year; the city already has 10.

Franklin said it's hard to beat the transporters, which cost about $5,000 each, don't pollute, require little maintenance and cost about $3 a year to power.

Productivity doubled for water meter readers who usually drive on their routes, Franklin said. There was also a 20 percent increase by meter readers who usually walk their routes.

The productivity gains were so impressive that Seattle Public Utilities is considering redesigning its routes to use more Segways."
More info here too.


Hood Canal Bridge

Perhaps today is your day to treat yourself to owning your Very Own Bridge:
"This bridge is built on 4 pontoon sections and can easily be towed to any location in the Pacific Ocean or adjoining waters. It has it's own control console, electric switch board, concrete railings, curbs and street lighting and with the addition of a generator ($negotiable) it would become an independantly functioning unit."



Cities & Faith

This Blog received much-appreciated notice from Gideon Strauss a few days. His post here also had high praise for a book explicitly linking New Urbanism to Christianity, (which for me, implicitly and presumptively, means to all faith, though of course that's just middle-of-the-road conjecture.) As I am agnostic on only one of these matters, I am now also curious.

Gideon writes:
"The second is a new book by Eric Jacobsen (perhaps still a pastor at First Presbyterian Church, Missoula, Montana?), Sidewalks in the Kingdom: New Urbanism and the Christian Faith. At about the same time I read it reviewed in Books & Culture** and the sadly defunct Re:generation (yes, I am very far behind in my magazine reading!), and saw it mentioned by Dave Hegeman. I cannot wait to read this book." (Don't miss links in original--DS)
From the reviews I have read, I am also intrigued, and mostly by the author's particularity in focusing the reader from the very title of the book on such a specific detail: sidewalks, which he uses, I gather, as a metonym for the much larger concept of community.

Apparently there is significant interest in New Urbanism in the Christian community. The common denominator appears to be the perceived lack of community in modern American life. Gideon's site linked, for example, to several other sites such as The Native Tourist and Christianity Today Magazine. The review in Christianity Today had this insight:
Jacobsen anticipates the question of why Christians should care about sidewalks when we're supposed to worry about salvation. To begin with, the characteristics of our urban environments determine how we are able to spread the gospel; it's easier to reach out to pedestrians in public places than to car-bound citizens cruising from their gated community to a Costco.

The ministry of Christ thrived, Jacobsen says, on "incidental contact"—such as the healing of the woman who bumped into Christ in a crowd and touched his robe. Today Christ couldn't stride alongside the two men on the road to Emmaus—he would have to materialize in the backseat of their SUV while they sped along the interstate. More subtly, shared public space shapes how we learn the virtues of civility, hospitality, and authenticity—and lack of the former tends to translate into a lack of the latter. Jacobsen goes as far as to say we should pray for more sidewalks and other public works projects that seek to discourage American habits of isolation.


8/8/2003

"Supporting the book"

In relation to the eBook in particular, though it should have been a more global conjecture, I hypothesized that the next step in publishing "books" (in quotes as the definition of a "book" is about to change) would be the practice of "supporting the book."

I commented here:
"I believe that the ebook can be a far superior product--- not simply a 'complete' physical object but an ongoing process --- with easy updates by the author, questions, clarifications, URL links to sources etc. etc. In the course of my own work I have constantly thought 'Oh gee I'd like to put a link in here to that site so that readers can get further info' but of course you can't with a paper book."
Books are a form of software. Computer software is generally "supported" --- which means simply that there is someone around to whom the user can address questions, make suggestions etc. With computer software, such "support" typically involves creating new, improved versions of the product etc.

The web (and particularly the very easy-to-use and flexible medium of the blog) will allow authors to support their book, at least non-fiction books. The constantly-revised text for law school would be a prime example of a work which could benefit from constant updates by and interaction with its author.

I have envisioned that this City Comforts Blog and the forthcoming City Comforts Book might function in this fashion: the blog supporting the book and new and better editions stimulated by questions, comments and general interaction with other bloggers, readers etc etc.

But I just stumbled across a book which is already being supported and it couldn't come from a more eminent source:Edward Tufte, who has an Ask E.T. forum which appears to function as an ongoing adjunct to his books.

It's great; take a look. I think it's cutting edge for the publishing industry. If you know of other such books which are "supported" in real time, please let me know.


Funny but true.

One can buy used first edition copies of City Comforts at Amazon here. (Selling "used" as well as "new" is a pretty cool aspect of Amazon, I think). But the prices there make my eyes pop and a smile come to my face.

It's flattering to see such prices, implausible as they may be. But I'd wait and buy the second edition. It's a better book and you can buy a whole bunch for $180, enough to share with your local elected officials.



8/6/2003

A New (Old) Book for Sale

Here is A New (Old) Book for Sale. I recommend it without reservation. (No, this book is not City Comforts.)



Coach Clinton

Don't be alarmed, this post is but a momentary lapse and probably not-to-be-repeated comment on American electoral politics.

***

The unremarked 800 pound gorilla in the smoke-filled Democratic back-room is Bill Clinton. I am very glad that he is there. At least I hope he is there. And I hope that there is such a room.

The big questions for me are
1. Who will Clinton endorse as the Democratic nominee?
and, far more importantly,
2. When will Clinton endorse him?
3. How can Clinton do it without appearing to do so?

As to #1:

While I am definitely an ABB Democrat (Anybody But Bush) I do not share the unfortunately prevailing opinion among my friends that Bush is "scary" and they "hate" him. Actually, I rather like George Bush. I think he would be a good companion on the golf course or a camping trip. I just don't agree with virtually any of his policy positions (oh, there are some exceptions) and I'd prefer that he follow his dad as a one-term president.

So I say "ABB." Which means I don't care who the Democrats nominate so long as he can win. (Btw, I am not expecting an ABB Democrat to be a whole lot better than the Republicans; but I am grateful for small things.)

As to #2:

Within reason, the sooner the better, I say. Certainly well before the Democratic convention. Winning means money and composure. The Democrats need to coalesce around one person long before the Democratic convention. They cannot afford to waste the money or energy on an internecine struggle. And then offer up an exhausted nominee to a "Presidential" GW Bush.

As to #3:

Who can engineer such an agreement? The only person is Bill Clinton. I hope he steps up and risks his own prestige and does it. But how?

Clinton is essentially very conservative and will not endanger (he has finally I hope learned the cost of impetuous behavior) his own prestige or Hillary's. Moreover, he is still the hot handle of a skillet: one wants to be very careful about grabbing it; like Bush, he is a very polarizing figure. So Bill has to draw upon all his political and interpersonal skills to forge a Democratic coalition and yet do so without appearing to have been instrumental. Yes, that takes enormous political skill. But bear in mind, Clinton did climb his way twice to the very top of the American greasy pole and is said by people who know far more than I to be one of the great political strategists of this era.

Clinton will have to persuade the Democratic candidates to coalesce around one of their number. That will require the candidates to acknowledge that selflessness & selfishness can go together:

"Guys, it is better to be part of a winning team than a lone failed nominee."

"Thanks, Coach."

"And all you guys, just remember, ABB."

***

Moreover, a big moreover, such a display of selflessness and teamwork by Democratic politicians would itself be politically attractive. What Americans would like to see is a Democratic party which can not only get elected but actually administer the country through enough self-denial so as to enable it to move effectively and forcefully in the same direction.


8/5/2003

Road Privatization's Logical Conclusion

Fascinating post from Murph at commonmonkeyflower about Road Privatization's Logical Conclusion which logical conclusion to me as well is that not everything done in the past --- such as public streets and "rights-of-way" --- was dumb and can be improved by "privatizing." Conservatives and libertarians might be well-advised to beat a strategic retreat on road privatization. Markets are a great tool for communicating human values; but one has to fit the tool to the job.


What's a Vancouver Island Marmot?

We care about cities.
But we also care about the The Vancouver Island Marmot.


Friendly Campus Housing

Good discussion here about the dynamics of sociability in campus housing:
"What are the lessons to be drawn from this?....First, the 'layout and operations' of a house are extremely important to the community. Things like nice porches, conveniently located common areas, and the like are among the fundamental building blocks of a strong community (Jane Jacobs would agree, I am sure.) I wonder sometimes if the 'strongest' houses, such as Mich, Minnies, Owen, Black Elk, Lester, and Debs simply have very good layouts, and houses like Nakamura, Stevens, and Luther do not. Often, when I suggest this possibility, people seem kind of incredulous - they don't seem to want to believe that 'warm and fuzzy' stuff like community can arise from concrete things like floor plans."
"...they don't seem to want to believe that 'warm and fuzzy' stuff like community can arise from concrete things like floor plans."
Fascinating remark.


8/4/2003

Los Angeles Confidential Magazine--Bilbao Redux

Once you start looking, those pesky starchitects are everywhere:
"Gehry is at the head of a new class of architects whose unique design skills are much in demand for their ability to immediately add flavor to a city. Gehry's Guggenheim started this trend, and now other "starchitects," as they are called, have become household names. Impressive, especially when you consider that architecture is not the normal road to stardom, especially in LA.

Gehry headlines a list of these starchitects, which also include Richard Meier, Daniel Libeskind, Rem Koolhaas, Michael Graves, and Renzo Piano. The common understanding now among city planners is that a great building can do wonders for a city's image, and these artists are thought to have the magic touch. Their names lend immediate credibility and their work draws the attention of the world. We live in a culture where design and style are becoming increasingly more popular, and starchitects such as Gehry are often mentioned in the same breath as Jennifer Aniston and Brad Pitt."


BAUHAUS in Tel Aviv & Pedestrian-Oriented Buildings

It makes sense, once one thinks about it, that there should be a lot of BAUHAUS in Tel Aviv
The city of Tel Aviv is literally an open museum of the International Style in architecture.

During the 1930s, while the modernist movement in art reached its apogee in Europe, the city of Tel Aviv was in a stage of intensive development. Most of the architects working in the new city at that time were of European background and brought with them the ideas of the modernist movement.

These architects, influenced by the works of Le Corbusier, Erich Mendelsohn, and the Bauhaus School of Art and Design, constructed a large number of buildings in the central area of Tel Aviv.
In light of the huge amount of very bad so-called Modernist architecture which ignores and damages the street, consider in particular the buildings shown in images # 2, 4, 8, 12, 13, and 18 on the link. They appear to be exemplary urban buildings. I suggest that these photos show, if it is not already logically obvious, that one does not need "Traditional" architecture to create a good urban, pedestrian-oriented streetscape. Or, in other words, site plan trumps architecture.


Finally some intelligent thinking on congestion

Traffic at a Crawl? Some Are Saying That's Good News :
"Some cutting-edge transportation experts have startling news: Traffic congestion isn't entirely a bad thing. In fact, it's a good sign.

For what is congestion, these experts ask, but crowds lining up --- whether shoulder to shoulder outside a movie theater or bumper to bumper on the road --- to pursue activities with economic or social value?

'Congestion is a sign that a lot of good things are happening,' said Brian Taylor, director of UCLA's Institute of Transportation Studies.

That outlook is echoed by other nationally prominent researchers who are writing papers and delivering speeches with such titles as 'Learning to Love Congestion.'

Several of these contrarians also argue that officially touted costs of congestion have been overblown and that too much money has been squandered on expensive projects, such as the $4.5-billion Los Angeles subway, that offer little congestion relief.

Rather than endorsing such projects, a couple of experts suggest, a stressed-out motorist should take a deep breath, pop in a favorite CD and learn to tolerate --- even appreciate --- what sitting in traffic means.

'Congestion is inevitable. Get used to it,' said Anthony Downs, a senior fellow at the Brookings Institution, whose soon-to-be-published book 'Still Stuck in Traffic' will begin with a chapter titled: 'The Benefits of Congestion.' "


The term "starchitecture"

In praising architect Santiago Calatrava, BRIAN's Culture Blog here offers an off-hand compliment: "This man would appear to be what David Sucher calls a starchitect. Clever word. Did you think of it David?"

I started to comment there but then realized I was writing a new post.

***

I wish I could make the claim to have first used "starchitecture" but alas, there are Google cites for the word which indicate recent spontaneous and simultaneous generation, and I would not rule it out that I first read the word on someone else's site.

For example:

here:
"Consider the notion of style that permeates the current 'starchitecture' culture. Just as fans can get worked up over the idea of celebrity, so there is a tendency among some clients to get unreasonably enamored of a particular architect's 'signature style.' Such a design might address immediate needs vis-a-vis fundraising or publicity, but its ultimate result can be a building ill-suited both to place and purpose."
or
here: "Gehry is one of a handful of prominent architects, such as Rem Koolhaas and Richard Meier, who have helped architecture become the dominant cultural icon of today's urban landscapes, Crow says.

Of course, using buildings as the linchpin of urban renewal has been going on for centuries. "Think of the transformation of Paris back in the 19th century," he says. "The Paris Opera building played the same function as the Disney Hall of today."

But with the power of mass media, today's buildings have taken on an iconic status that allows people to appreciate them long before they ever encounter them in person, if they ever do. "You couldn't have this notion of 'starchitecture' before now with anything like the vividness and immediacy that you do," Crow says.

While great architects like Frank Lloyd Wright were stars in their own day, now it's the pure visual artistry of the buildings themselves that shines. There isn't a city on the planet whose leaders don't yearn for the kind of visual power that a single iconic structure can bestow, he adds."

Of course, using buildings as the linchpin of urban renewal has been going on for centuries. 'Think of the transformation of Paris back in the 19th century,' he says. 'The Paris Opera building played the same function as the Disney Hall of today.' (emphasis added -- DS)
Interesting:

"...appreciate them long before they ever encounter them in person, if they ever do."

Taking mass-media impact on our perception of the built environment from an extremely academic (I am trying to keep up the tone of this blog) is this book: Privacy and Publicity: Modern Architecture as Mass Media:
"Through a series of close readings of two major figures of the modern movement, Adolf Loos and Le Corbusier, Beatriz Colomina argues that architecture only becomes modern in its engagement with the mass media, and that in so doing it radically displaces the traditional sense of space and subjectivity. Privacy and Publicity boldly questions certain ideological assumptions underlying the received view of modern architecture and reconsiders the methodology of architectural criticism itself. Where conventional criticism portrays modern architecture as a high artistic practice in opposition to mass culture, Colomina sees the emerging systems of communication that have come to define twentieth-century culture -- the mass media -- as the true site within which modern architecture was produced. She considers architectural discourse as the intersection of a number of systems of representation such as drawings, models, photographs, books, films, and advertisements. This does not mean abandoning the architectural object, the building, but rather looking at it in a different way. The building is understood here in the same way as all the media that frame it, as a mechanism of representation in its own right. With modernity, the site of architectural production literally moved from the street into photographs, films, publications, and exhibitions -- a displacement that presupposes a new sense of space, one defined by images rather than walls. This age of publicity corresponds to a transformation in the status of the private, Colomina argues; modernity is actually the publicity of the private. Modern architecture renegotiates the traditional relationship between public and private in a way that profoundly alters the experience of space. In a fascinating intellectual journey, Colomina tracks this shift through the modern incarnations of the archive, the city, fashion, war, sexuality, advertising, the window, and the museum, finally concentrating on the domestic interior that constructs the modern subject it appears merely to house."(italics added)
Hmmm. So one aspect is that the building doesn't exist until we are told about it, until it is validated by media, by an external source? We don't trust ourselves to see and feel and conclude. Hmmm. I am afraid that I think there is some truth to that and it indicates one of the reasons "starchitecure" and the respect for critical authority ---as we see it discuss the built environment --- so troubles me.


No Parking

I, too, am concerned about being boring.

But I've also come to realize that, while there is room to change at the margins, one is what one is. And I am a creature who parks, even before he drives.



To anyone who has grown up in a purely rural or suburban area, the importance of parking --- there being no shortage of spaces --- may be strange. But imagine the issues if one lives in a very dense neighborhood in NYC or perhaps London, Paris or Tokyo.

There are two traps:

1. One has a parking spot, but one does not want to drive because one will lose the parking spot. And the better the parking spot, the less inclined to drive. So why have a car?

2. The other trap is driving around looking for a parking spot; it's like flying an airplane looking for the landing strip: the search grows wearying after a time. I would add terrifying except for due respect to pilots.


8/3/2003

Great Salt Lake shrinks, "Spiral Jetty" reappears

Radio show about Smithson's "Spiral Jetty" --- reported deftly by Eric Fredericksen of Seattle --- is available at Studio 360 and well-worth hearing. And seeing as the site is open to the public. Salt Lake is not that far from Seattle, and I like Salt Lake City a lot; I think it is worth a trip.


(this photo source here)


And more images here.



The Work of Edward Tufte inspired me

From a graphics perspective, The Work of Edward Tufte and Graphics Press is one of the prettiest sites on the web. Tufte's work has received rave and after rave, and from people I respect. But I have bought and read two of Tufte's books (the first two) and I am not quite sure what the excitement is all about. Nothing he said struck me as particularly unusual or incisive. (Tell me I am wrong.)

Nonetheless it must have been inspiring. After reading one of his books, I designed the following ferry schedule, based on a clock face (not the most expressive design in this manifestation, I'm afraid) but here it is:



The reverse side shows the other leg of the trip, of course.

(If you are curious, I printed up a bunch of the schedules as a courtesy to a tenant to give to their customers.)

UPDATE: All of a sudden I find a reference to Edward Tufte (and Stewart Brand,btw) at Gideon Strauss.


Heather MacDonald on Reporters

I have no idea who Heather MacDonald is but I like her remarks here:
"Luke: 'What have you learned about dealing with reporters?'

Heather: 'Never trust them. One wants to because we're all egotists. You never learn. You think you're going to be portrayed in all of your shining wisdom and glory. You forget each time that they have the last word and editing is all. The capacity of taking things out of context, which politicians complain about all the time, is absolutely critical. There's nothing you can do about it. If people didn't have huge egos, reporters would never have any business because people would never talk to them. You have a bad experience, and darn it, you do it right over again because you still want to see yourself in print.' "
She's basically right but I think that the larger reason one shouldn't trust them is that the reporter and the interviewee have an inherent conflict of interest. The interviewee wants to puff and get his/her message out; the reporter wants to create a piece which will sell and advance his/her career. Presenting the person interviewed in an accurate light is incidental.


8/2/2003

Marina City 's Circular Parking Garage

As a result of yet more interesting discussion on car parks at Brian's Culture Blog, I am posting a link to background on Bertram Goldberg's columnar Marina City in Chicago, Illinois.
"Marina City, in 1959, is a thirty-six-million- dollar project built on only three acres of land in the heart of Chicago's Loop. A dramatic landmark in the Chicago skyline, it culminated thirty years of thought and development for Goldberg. Each of the twin, sixty-story towers had four hundred and fifty apartments in its upper two-thirds, with the lower third a continuous parking ramp that spirals upwards, accommodating four hundred and fifty automobiles. Since the residential level starts at the twenty-first story, magnificent views of the city are enjoyed from every apartment."
And just in case anyone thinks this parking stuff is getting out hand, you have to understand that I am not only a deeply-committed urbanist (no humor or sarcasm here) but also a "car guy." I like cars. Maybe I even love them and the personal autonomy they provide me. So much of my concern as an urbanist is , recognizing that I am not alone in actually liking cars and driving, is how do we actually accommodate cars gracefully. I have written previously on this blog that some conservatives/libertarians are "in denial" about the need and even desirability of land use regulation. In parallel, I believe that quite a few liberal urbanists are in denial about the "individual vehicle," the car.

Just a little personal secret, btw. When I graduated from Columbia, one of the reasons I left New York (for graduate school in lower density Seattle) was that I realized that it would be very difficult for a young graduate to be able to afford parking a car if I stayed in New York. Call it shallow, adolescent, unsustainable...call it whatever you like, but call it the truth. So parking was, is and will always be a big deal for me.

Imagine my surprise when I started to study cities and development and I discovered that in real fact, the way things actually happen in the real world, the design process for a building (in North America anyway) starts with the quantity and location of parking. So this parking garage stuff is not just some silly issue...not silly if you care about cities, anyway.


Two Cultures

Norman Geras expresses what are very much my own sentiments.
I seem now to inhabit two more or less disconnected worlds. With most of the people I know, my impression is that they're only dimly aware of the blogosphere, if they're aware of it at all. 'What's a blog?' has been a common reaction when I've mentioned the subject. But for those already in it - or maybe it's only for relative newcomers like myself - it's a passion. If I don't get to do my daily tour for any reason, I start to get jumpy. It's like a day without music. This is not a matter, or not quite a matter, of blogito ergo sum - which would be a sorry state to have come to, indeed. But cogito ergo blog just about gets it.


8/1/2003

The myth of the "decent architect"

Beware: this post may be long & boring unless you are into parking. Or maybe even if you are into parking.

***

Brian Micklethwait wrote a very interesting post on parking garages at Samizdata.net titled A new ye olde car park.

Michael Jennings commented that such structures (parking garages, "car parks" --- or "La Parque de Car" in elegant neighborhoods?) might follow the path of airports and be taken up as a design challenge by "decent architects."

But he foresees one problem. Will "decent architects" deign to take part?:
"Until about 15 years ago, airports were considered an architectural and design disaster area that nobody ever said a kind word about, but since then the very best architects have started designing terminals and they seem to be considered almost prestige projects. (The three that come immediately to mind are Norman Foster's terminal at Stansted here in London and his much bigger one at Chek Lap Kok airport in Hong Kong, and also Renzo Piano's Kansai airport terminal in Osaka.) There has definitely been a transformation there, as a class of building seen as functional and inherently ugly is no longer necessarily seen that way...Car parks could go the same way. However, the advantage of airport terminals are that they are very big, and lots of people see them. Car parks are inherently much smaller, and as a consequence it is going to be hard to get decent architects interested in them, except as part of a larger project. (Emphasis added -- DS)
Of course I am not sure what Jennings means by "decent architect" but I assume (perhaps incorrectly, though someone surely will have this view) that "decent architect" means a famous, illustrious, glamorous starchitect. I have some thoughts.

1. Parking garages are not penny-ante structures. Figure US$8500/space as a bare minimum under ideal conditions --- flat site, no soil problems, everything at grade, efficient owner (at making decisions) and smart contractor. Proforma double that (at least) for an in-city project done by the public. Assume a 100 cars. That's a $1.7 million ---probably $2 million project. Maybe more. Hardly big but there is enough juice there for competent design.

2. There is not much to design. The layouts and turning angles and so forth are very much of a formula so the garage itself is simple in layout. Structural engineers probably have as much work to do as architects.

3. There are not a lot of rules or techniques by which to hide (or better yet, integrate) the garage into the streetscape i.e. you don't need a "world class architect" (how that phrase makes me barf) to create an exemplary parking garage. And the rule, as I see it, is the simple one of "wrapping" the garage with other uses.

In the same set of comments, Patrick Crozier suggests such a rule:
But wouldn't it be better if you couldn't see them at all? One of the things that struck me about many central Tokyo stations is that you can't see them from outside - they are encased in modern, multi-storey buildings. The station is there somewhere in the middle. Why not the same for car parks?
Let me turn to an essay which, while deeply flawed (my comments on it here) in that it fails to separate "architecture" from "site plan," does offer words of enormous merit and wisdom concerning the imperative for rules, and rules which can be simple enough to be understood by even the simplest real estate developer, city planner and architect...the sort of rule which Crozier suggests.

The essay is by Sophie Jeffreys and Roger Scruton at openDemocracy and is titled The future is classical. They state that (and you should read the whole essay, btw)
"[t]he classical tradition has another, more political, merit. Unlike modernism, it has provided examples, rules and precedents that were equally the starting point for the highest aesthetic endeavours and for ordinary and unassuming buildings. It was a tradition available to everyone, regardless of talent. It proved capable of creating a spontaneous urban harmony incorporating the humblest residences and the grandest public buildings side by side.

Architecture, it should be remembered, is first and foremost a vernacular art, like dance and clothing. Although there are the great projects, and the great architects who succeed in them, both are exceptions. We build because we need to, and for a purpose.

Most people who build have no special talent, and no high artistic ideals. For them, aesthetic taste is important not because they have something special or entrancing to communicate, but precisely because they do not. Being decent and alert to their neighbours, they nevertheless want to do what is right. Hence repeatability and rule-guidedness are vital architectural resources.

Style must be so defined that anyone, however uninspired, can make good use of it, and add thereby to the public dwelling space that is our common possession. That is why the most successful period of Western architecture --- the period in which real and lasting towns of great size were envisaged and developed --- was the period of the classical vernacular, when pattern books guided people who had not fallen prey to the illusion of their own genius."
"Hence repeatability and rule-guidedness are vital architectural resources....Style must be so defined that anyone, however uninspired, can make good use of it..."

Very wise words.

In the design problem at hand, "wrapping" a parking garage with other uses, either merely at the sidewalk level or all the way up, is the simple and effective rule which literally "civilizes" car parks and makes them a part of a pedestrian-oriented street. No amount of "innovative" design from a Gehry, Koolhaas or Libeskind can help a parking structure unless the architect --- whomever it is --- is directed to start from the sidewalk.

***

One doesn't need the Ayan Rand "architect as mythic hero" to design a good parking garage; you just need someone who knows the rules of wrapping.


7/31/2003

Do you like word games?

Thanks to Terry Teachout at About Last Night for turning me on to this fabulous time waster.



The phrase "went missing"

Is anyone else struck by the phrase "went missing"? as in this sentence from Colby Cosh:
"About a week ago, I mentioned the discovery of the body of Islanders prospect Duncan MacPherson, who went missing from a ski trip in Austria in 1989." (emphasis added & no special significance to the sentence btw-- DS)
Went missing doesn't sound correct, though it is so commonly used now that it probably has become part of the idiom and is thus "correct."

People use "went missing" to mean "disappear." I think that it is fairly new usage. Or perhaps its a Britishism with which I am unfamiliar. It has a charming sound to it (so it must be a Britishism) but there is also something fundamentally not right about it and I am not enough of (or at all) a grammarian to be able to point it out. Maybe it has something to do with who is acting...or something to do with transitive and intransitive verbs? (I never got that concept.) Or is it using an adjective as an adverb? Duh. Way over my head.

"Missing" is not a place to which one can go. It is the absence of existence, of a place.

Or am I all wrong and is "went missing" perfectly correct? Is it a new usage which subtly attempts to deny the finality of "disappearance" by suggesting that "missing" is a state of being? Just a state beyone our ken?


Radical Prince

Having no political influence or power, I find it very easy to fall into a cheap cynicism and to make light of idealists. But then when I see a man of roughly my own age, The Prince of Wales, taking my issues very thoughtfully, as I think he does, well then it sobers me up immediately and I feel a bit sheepish. It's not often that a person of his position ---and of course how many people are there in a position even remotely similar to his? --- actually attempts to deal with the world in a serious way.

So I am curious that The Prince of Wales is having a "Book Launch Conference" titled, (cause for curiosity by itself) Radical Prince which will set forth his Practical Vision in Context.

More later.


7/30/2003

City Comforts in Japanese

Some years ago. the first edition of the book was translated into Japanese by an urban planner from Tokyo, Mr. Hiromitsu Yajima, whom I bumped into by accident at at a conference in Colorado. (Of course that's the point going to a conference --- an intentional act which has serendipitous results.)




It is funny flattering shocking for me to see the book in foreign words, words that in some way I wrote and yet which I cannot understand. That my book is filled with so many pictures allows me to identify each page and yet not be able to read it completely. It's the strangest sensation.




The publisher was kind enough to send me some copies but I have more than I really need. (I don't read Japanese even a bit so one as a souvenir is sufficient.)

So I will sell/trade/donate them to some one or organization which can put them to good use. Maybe a library somewhere which specializes in Asian urban studies? And then perhaps we can get some spirited bidding going for this piece of history.

Please write to me if you have some fabulous idea about what I should do with them.


Snoqualmie Tunnel by Dogscooter

This post may be a hair off-topic for this blog, except that dog-scooters, such as these,



might very well turn out to be a useful means of urban transportation if Jim Kunstler is correct about running out of oil.

But in any case, I plan to be there to take part in the Snoqualmie Tunnel Run by Dogscooter organized by Ms. Daphne Lewis, (on lead scooter, above) but of course only as part of my research into alternative modes of urban transport.
Second Annual August Snoqualmie Tunnel Run
DATE: Sunday, August 10, 2003
TIME: 10 am
DIFFICULTY: Flat, smooth gravel; 5 miles; cold, dark.

DESCRIPTION: This is our weirdest scooter event. We meet at the Hyak Parking lot, put on our coats, mittens, hats and HEADLAMPS and scooter to the entrance to the Milwaukee Road Tunnel. Enter the tunnel and it is pitch black and 54?°F for 2.25 miles. You can not see a thing. In 2002 we passed through the tunnel and regrouped at the other end. Most of the dogs did not seem to mind the pitch blackness. Amazing. I wonder if they can see. The water drips from the ceiling. There are gutters to carry off the water on the outside edges of the tunnel. We like doing this run as an annual event in summer because it is cold and the dogs do not overheat and mostly because it is so crazy. This tunnel is the longest on the Milwaukee rail trail which stretches to Chicago, Illinois. Joe Brown and Bessie did the tunnel last year and posted Joe's photo to some of us. The entire photo was solid black except for a tiny speck of white in the middle. (It makes me laugh just thinking of that photo.) One could get scared; it is so dark. If you want more miles, you can scooter along the south edge of Keechelus Lake after returning through the tunnel, but outside the tunnel it is August weather east of the mountains.


7/29/2003

Distorting the public conversation about the built environment.

So let's go over this once more. Why am I against goofy buildings done by starchitects like Libeskind and Koolhaas and Gehry? No, I am not against them per se.

Then why so many negative remarks? It's simple. Such buildings, like pieces of candy, are OK as an occasional element in our landscape diet. (The "raisins in the oatmeal.") But too many of them make you sick.

Moreover, and most critically, the heavy media attention paid to freakish buildings --- yes I would definitely include Wright's 'Guggenheim' in that list --- distorts the public conversation about the built environment. Yes that is the core problem: the distortion of the public conversation about buildings.

By itself, who cares about the system of star architecture? It's no more important than fashion design. Let rich people hire big name architects to sprinkle a bit of culture on their favorite charity edifice.

But the problem is that because of all the attention paid to these 'precious object' buildings, people --- even smart, educated people -- start to actually believe that such buildings are what architecture is all about. I absolutely detest quoting Noam Chomsky, but his phrase about "manufacturing consent" is totally applicable here, though I am not suggesting any conspiracy except a marketing conspiracy by star architects and their camp followers. The focus on precious object buildings diverts attention from the everyday work and budgetary priorities which must be given to creating humane cities. The discussion of precious-object buildings uses language which is obscure, contorted and confusing because there are no standards by which to judge such buildings; it's one of the reasons, as I noted a few weeks ago, that so many of Paul Goldberger's writings (which I admire greatly, actually) about such buildings involve the social aspect --- the clothing, which schools, etc --- of the people who commission and design them. There really is --- on its own terms --- very little to say about starchitecture.

The phenomenon of starchitecure is akin to Roman 'bread-and-circuses' but here the masses don't even care about the spectacle set before them. And that's what these precious object buildings are: spectacles. Freakish spectacles which have little to do with the way people actually live or could live or want to live. So that's why.

There was a great comment from a reader at 2blowhards which summed up the issue very well. Deb wrote:
"I just realized that I think of architecture and buildings as two different things. Buildings are where I live, work, park my car, keep the lawn mower, get my gas, buy my groceries etc. Architecture is marble and echoing chambers and feelings of awe....It's like cooking and cuisine--my mom was a fantastic cook but the cuisine was definitely MidWestern."
Well I like the MidWest and this City Comforts Blog is about cooking, not cuisine. And that's what the whole intertwined complex of discussion and regulation about buildings (what I call "land use politics") is supposed to be about, too: cooking --- to make a comfortable and humane city. Not cuisine to get into a fancy guidebook.



How Buildings Learn

Excellent post at Crooked Timber by Chris Bertram to whom I have linked here previously.

He writes today on Stewart Brand's How Buildings Learn: What happens after they're built.
Brand's book really gripped me when I first read it, and looking back over its pages is still both informative and fun. We've given copies to a number of friends and relatives over the years and I'd recommend it to anyone. Aside from the intrinsic interest of the subject matter, Brand had a biggish effect on my political and philosophical outlook. To caricature what I believed before somewhat, I moved from being somone who thought that smart people applying the right principles could make the world right to someone inclined to be much more sceptical about what we know or can know in politics, who takes much more seriously people's lived experience of institutions, plans, projects and buildings (devised by "experts") and who has more of a focus on rules of thumb, practice, "knowing how", tacit knowledge, "satisficing", skill, craft and so on.
I think I took that trip, too.


7/28/2003

Simple Pleasure is the Wise Measure

The Scourge of Modernism offers:
No doubt the modernists and postmodernists will tell me that I just don’t get it. Yamasaki’s minimalist sculpture was meant to be viewed from afar, approached through a tunnel into the basement, and appreciated from the inside up on the 110th floor. Don’t you see, they will say, Yamasaki was a great architect, and if he wanted to make the plaza inviting, he would have. If he actually wanted to make the building function as a building, he would have made it clear where the entrance was. He was making a statement. He was re-imagining and re-interpreting. Call me old-fashioned, but being around a building should be a pleasant experience. If a building is surrounded with grounds or a plaza, then sitting there on a bench should be enjoyable. If it is not, then the building fails as architecture.



New Urbanist Architecture

Interesting post on New Urbanism by AC Douglas. It's a diatribe against "Traditionalist, New Traditionalist, New Classicism, and New Urbanism" architecture and certain webloggers who like that sort of junk. Significantly, Douglas offers no links so I couldn't be sure precisely about what/whom he was opining. And though I am not positive what he means by "Traditionalist, New Traditionalist, New Classicism" I am somewhat familiar with "New Urbanism" and I was "shocked" ---yes "shocked" --- that AC would say such nasty things about it, especially when New Urbanism is not really about architecture at all.

New Urbanism is about site plan, the arrangement of groups of buildings into neighborhoods and cities. It is not about architecture, the design of an individual structure --- except as that particular building relates to other buildings around it. There is no New Urbanist style of architecture. It just happens that most New Urbanist projects have a historical feel to them --- but that is not the essence of New Urbanism. Daniel Libeskind, I hypothesize, could very well take part in the design of a New Urbanist development and so long as he adhered to the Three Rules, he might very well do a credible job. (The "design" of a New Urbanist project btw consists not in the design of buildings but in the layout of blocks and lots and streets and the writing of a code to tell people what they may/must do on those lots.)

So attack New Urbanism if you like --- it will grow stronger by reacting to and incorporating criticism; like many significant movements it has acolytes with an excess of well-meaning but simplistic over-enthusiasm and it is well-deserving of criticism.

But at least attack it on its own terms. New Urbanism is not about architecture, it's about site plan.


7/27/2003

"Did I really say that?"

Weblog archives are not a dustbin; the web, this easy, freeform noosphere is for the ages.

One of the delightful (or troubling) aspects of the web and of blogs in particular is permanence. The web provides novel & easy access to the past. It can "compress" our sense of time. A post or remark made 6 weeks or maybe even 6 years earlier can be read by a new reader as if it was written yesterday. The past re-emerges; time loops back on itself; there is no forgetting. One must learn to say "but I said that back then." To your new reader, it's fresh. --- things one has written a year before might be commented upon tomorrow and as if it was the most natural thing in the world to pick up a conversation. Imagine you are in a car on a long drive and out of the blue your companion comments without preface on some trivial thing you said 600 miles further back.

Weblogs are not like magazines, newspapers etc. Who except scholars ever goes back and reads one from 1955 or even January 2003?

Brian Mickelthwait alerted me to this phenomenon. He found my comment on an old post of his and then made a passing comment on the past reaching into the present. He observed that "[o]ne of the oddities of Samizdata is that comments come in on postings long forgotten. Usually they can be allowed to settle back into the archives..."

A case in point for systematic miners: For the built environment try the 2blowhards Artchitecture/Art Archive. A lot of their old postings/discussions are too interesting to be allowed to die and (unfortunately in the case of modern architecture) seem to have continuing relevance. For example, try Salingaros on Deconstruction.

Btw, the search function for a blog is an essential if you want to keep your blog live.


What a marvelous summer, at least here in Seattle

This summer has been one of the most marvelous I can remember. Such glorious weather reminds me to cherish every day. It also turns my thoughts to far-off places of which the blogosphere offers many glimpses.

Michael Jennings, an Australian living in London, is on travel (I think that's what Australians and New Zealanders must study in school: travel) and offers a wonderful evocation for anyone who has ever spent any time in a communal kitchen. He writes : "Sitting in the hostel kitchen in Arles yesterday, I found myself chatting and drinking a little red wine with a young woman from northern California."

As they say, RTWT. ("Read The Whole Thing.")


7/26/2003

The Chimera of Modular Construction

One of the reasons I so like Beyond Brilliance, Beyond Stupidity is that it notices physical things, notices large and small elements of our physical reality. The vast majority of blogs are about much more abstract relationships: "did Bush lie?" "is eminent domain a social necessity?" is gay marriage ok?" and so forth. All good and reasonable questions. But sometimes it's nice to consider things, those which ones "work" and which ones don't. As my book City Comforts is photographs of things I think are important, with commentary about why they are important, I find Beyond Brilliance's format particularly simpatico.

Anyway, it had a recent post on Shipping Container Building which raises, again, the chimera of modular and industrialized construction. I say "chimera" because that's what I think it is: an ever-receding apparition. The bottom line --- and I have held this bottom line in my own hands --- is that the cost of framing a structure (floor, walls, roof) is but one (and relatively small) component of the cost of creating a dwelling. That's assuming that one wants a site on which to put the house, and windows, doors, electricity, plumbing and so forth.

I'm not saying that it might not be fun to use shipping containers to create a unique, groovy pad. But when it comes to claims (and claims about modularization have been made at least as long ago as my hero Buckminster Fuller in the 1930s) such as The Guardian's Container homes 'hold key to solving crisis',
well, then I ask, "show me the money."


7/25/2003

City Comforts, 2nd edition is finished

I say it's finished and ready to be sampled (below) not because it is as good as it could be or one couldn't make it better but because:
1. Unless I start totally from scratch, I cannot improve the book a huge amount right now;
2. I'm tired of working on it for the moment and I can always do a THIRD edition; (this blog has generated a whole bunch of new material);
3. I am curious to see if anyone will buy it;
4. I believe in the architect's expression "Better built than perfect;"

What remains is to send it to the printer.

Oh yes there is also proofreading. Proofreading. Proofreading. There is nothing which speaks more loudly to the amateurish (in the bad sense) publication than spelling errors, etc etc which I make in abundance. So proofing is the word of the day; I'll do it down at the tavern tonight.

Meanwhile, here for your reading pleasure is a sample chapter from City Comforts, 2nd edition. It's about the key urban condition --- the condition which in fact defines urbanity --- of Bumping_into_People.

(This sample chapter is a PDF file of about 1.4 MB so if you have a dial-up...)


7/14/2003

The Big Push

Light blogging this week as I am in "the big push" to finish the second edition of City Comforts and get it to the printer.


Definitely an Interesting Idea

Affordable and user-friendly technology could provide an exciting new platform for discussing planning and development issues.:
"Today, the web phenomenon of blogging has achieved widespread acceptance. Universities are including blogging as part of journalism courses. Businesses are using weblogs to reach out to customers and build communities around products. Scholars are using weblogs to collaborate on research. You can find an overwhelming number of weblogs of varying quality on any topic you can think of.

Well...almost any topic.

Try searching for weblogs about urban planning, architecture, housing, urban issues, and related topics, and you are likely to find that the pickings are slim. Weblogs devoted to these issues are few or hard to find. (See Selected Weblogs). But if you are an architect or an urban planner, professor or student, journalist or citizen, or anyone else interested in planning and development issues, this may be a good time to start your own weblog and make your opinions heard. All you need is a web browser and an Internet connection."


7/13/2003

"It's my party..."

(In reference to post below:)

Here are the lyrics to one of the absolutely classic songs of the ..well a long time ago: It's my party


Too libertarian? Or not enough?

Desmond comments:
"I'm still uneasy as to the libertarian streak that runs through your commentary (along with that of Kunstler and Jane Jacobs). It's definitely appealing, but somehow doesn't sit right with me- my analysis isn't particularly deep at the moment, as I feel like this will be a long-term issue in my own conception of urbanism- it feels as though maybe it doesn't challenge the status-quo of social and market organization (particularly regarding land) to a great enough degree."
Well I am uneasy, too. What makes me uneasy is that in actuality there really isn't any principled, thoughtful Conservative/Libertarian (C/L) critique of how to create the built environment. In fact it was this discussion on God of the Machine (05/19/2003) about "Law and Architecture" which helped me give focus to City Comforts Blog. The discussion there ended on this note, with the comment directed to me:
If the "problem" is that you don't care for the way cities and towns look now (under rigid zoning, I hasten to add), couldn't it be easily rectified by simply appointing you land czar? Would that be any more unjust than allowing zoning boards to impose costs on people who get no say in the matter?
I thought further conversation unproductive.

But that, unfortunately, is the typical C/L response: either denial or sneering and ending in "It's my party..." (which is part of the lyrics of a song which may predate some of the readers here --- so I will try to find a URL later). There simply does not exist any intelligent or useful C/L commentary on land use governance. (Please, someone, prove me wrong!)

By the same token, and why I explicitly identify myself with the search for a libertarian approach to urbanism, is the dream-world state of most liberal urbanists who do not follow the implications of their statist views to the end. This gets us into a vastly larger subject: the distinction in American Constitutional Law between the respect given to "personal rights" versus "property rights." There was a shift earlier in the century, concurrent I believe with the shift of the American work force to "employees", to accord the former far greater status than the latter. That could only happen in an era in which fewer and fewer people actually viewed ownership of property as a real means to their daily bread i.e. "labor alientation" in Marxist terms, I believe.

Anyway, I wouldn't worry too much about "the libertarian streak" at City Comforts Blog as the reality is that there is no C/L land use thinking worth a hill of beans. The complex, socially corrosive and very burdensome land use laws which we have today are going to be with us for a while as, whether right or wrong, the public perceives a problem and the liberal/statist approach is the only game in town.

The best we can do is to simplify. I have an idea in the back of my mind that Three Rules thinking is a way to boil down the essence of urbanity and simplify codes, at least for commercial districts. But it's still a form of code and will need a land use bureaucracy to administer it. So don't worry; planners will have jobs for a while.

But I hope that planners will also be able to have some "role distance" and acknowledge that while there is little choice but to have land use codes, let's not recognize them as urbanity itself --- a complex land use code is neither a substitute for a real city nor, historically-speaking, a necessity.

I think we should all beware of growing government power; I don't think liberals are aware-enough of it when it comes to powers over use of property.

My own awakening came about ten years ago. Seattle was in the midst of a "Comprehensive Planning" effort and the process statement with the development of a statement of "Core Values." My own suggestion was that the City should explicitly adopt a policy which stated that it would choose "the least intrusive means" in fulfilling policies. Of course I think that US Constitutional law already requires such a stance. But I thought it would be nice to have the City explicitly agree. I approached the local ACLU to garner some support, a worthy organization which I greatly admire. My contact there told me that they "would get back to me." That was ten years ago.

The City, too, seemed indifferent to any statement which might be used to limit its powers down the road.

So I had to be satisfied with this "Soapbox" article from the Seattle P-I. I apologize if it is not clear. I'll try to get a better scan and post a PDF as well.



I did Transcendental Meditation

Now I need Transcranial Magnetic Stimulation to unleash what I hope are my Hidden Capacities, somewhere.


Pie in the Sky

Reflections in D Minor offers:
Graphic designer Cheryl Reid writes a brief and to the point letter to the Lower Manhattan Development Corporation. She says, "we really do want the old skyline back.

I'm not so sure it would be a good idea to build an exact, or even close, replica of the Twin Towers, but I would like to see something bold and magnificent rising above the Manhattan skyline. All of the designs that have been presented so far seem timid to me and, as I said last week, the Libeskind design which was chosen as the finalist looks like a stylized representation of wreckage. It's possibly the worst of the lot, although most of them were so bad that it would be hard to pick a "worst one." Most of them look like Star Trek set design rejects.

However, it's not important what I think, sitting here over 1500 miles from New York. It is also not important that some hot-shot architect get to make some kind of artistic statement. What's important are the opinions of the people who will have to look at the new skyline every day as they drive to work, go shopping, walk their dogs, and gaze out the windows of their offices and apartments. And if New Yorkers want their old skyline back that's exactly what they should get. I just hope someone in charge bothers to ask them... and to listen to them.
This skyline thing is quite fascinating. Why do people care so much about the skyline when they spend most of their time at the sidewalk? Maybe some "expert" told them that the skyline is the critical "artistic" issue.

I have absolutely no opinion about the WTC designs; I have heard NO analysis of "how the buildings meet the sidewalk" so I have tuned out.



Iceland

I've always wanted to go to Iceland. And now I learn that Iceland has excellent horseback riding adventures on a Wonderful Horse with a smooth Gait, the Tolt..

I've just rediscovered horses after a gap of more than 40 years (yes, it is hard to believe that one can have been alive for so many years as to have not done something for that long). In particular I have discovered something called the "gaited" horse which has a pace --- in lieu of a trot --- which does not require posting because the ride is so smooth. It's rather remarkable. No bouncing around. Extremely comfortable. There are a number of breeds; I rode the gaited Rocky Mountain Horse at Rosebud River Ranch.




7/12/2003

Uh-oh

Architect Frank Lloyd Wright's Grandson Remains Faithful to Organic Architecture
Eric Lloyd Wright would like to follow up on his grandfather's plan for a new city. He says it would be different than other well-known "dream cities," such as architect Paolo Solari's Arcosanti, now under construction in central Arizona.

"He did, back in 1933, a whole concept which he called Broadacre City," he said. "It was very much a 'Jeffersonian' [diffuse, American] concept - whereas Arcosanti is more European and high-density in a small area. My grandfather's idea was different; it was spread out with everyone having a small, farm unit. But [they're] not suburbs. People blame [Frank Lloyd Wright] for being the 'father of the suburbs.' Broadacre City was not that. It was his theoretical concept, which he said was a 'city that's everywhere, but nowhere.'"




(Book) Review Copies & Restaurant Meals

This post inspired in part by the 2 blowhards very interesting series of posts (with an enormous number of comments) on Books and Publishing with titles such as Writing a Book and Writing a Book Redux and The Book-Besotted.

Here's my thought for today:

I'm involved with a little project --- publishing a book --- which raises the issue of "review copies." Such books are copies given to newspapers and magazines in the hope, with the prayer, the supplication, in fact, that the book will be read and reviewed, or even just reviewed. The economic and psychological future of the publisher and author are very much influenced by what is said, or even whether the book is even given any notice at all.

So publishers shower books on media. I asked some people who worked for one of those free, weekly, proudly "alternative" papers if I should send a book for possible review. They started laughing. "The hallways are piled with books. They come in by the hundreds. There are stacks everywhere. We take them and give them away for party favors." That was a discouraging introduction to book marketing. I'm told that the secret of publishing is to create a "buzz" long before the book ever gets to the printer so that the reviewer will paw through those mounds of unsolicited books to grab a title which has been buzzed. People who can create that whisper of import are paid extremely well, I would suspect, and I certainly can't imagine being able to hire one.

So I am wondering if I should even bother sending out unsolicited review copies. Why waste the paper and postage? Not that it's always wasted by any means; the first edition of this book got a wonderful notice in The Washington Post on the basis of an over-the-transom copy. But overall, there seems something so undignified and striving in simply mailing copies to people I don't know and saying "Here. Please write about what I think."

So this time around I'm thinking that I might simply post a PDF of one chapter of the book on the web site associated with this blog. People can download it. Read it, maybe even print it out. If some reviewer likes what she sees, she can email me and ask for a review copy. Perhaps I'll even send out an appropriate email to announce the book. Who knows, maybe even surprise really important reviewers with snail mail? As in paper to announce more paper.

The custom for university and college teachers is to request a copy on their departmental stationery; some publishers require some degree of payment as a sign of sincerity. One has to bear in mind that even a "real publisher" may only print 5000 copies of a book and so to then send out 250 copies willy-nilly --- 5% of the whole print run! --- seems to me as if it would add up. Better to have them meet half-way. No?

But there is another question which interests me: why should review copies be free at all? Gratis. No charge. "Here, take one. In fact, take another for your brother-in-law." Well obviously that's the custom and it's what has evolved in the rough-and-tumble hard-scrabble of the publishing world: review copies are free. At least I assume that The New York Times, for instance, doesn't pay for review copies.

But review meals are not free. I gather that restaurant reviewers pay for their meals and even seek to preserve their anonymity. "Is that man over there in the bow tie taking notes actually a spy for the Guide Michelin?" That must be a restaurant-staff game. The principle is to both receive the same treatment as other diners and to avoid even the hint of a bought review.

Why should it not be the same for books? Especially now in the digital age, publishers can post samples of their books to engender interest--- and of course noted authors need only announce the availability of their title to have it pounced upon.

Certainly the two items are not precisely the same. A book remains the same but a restaurant meal can be improved for a known reviewer by a better cut or a larger portion. But certainly --- I hope, I assume --- that serious New York design media would decline a free trip to Cincinnati to review the Hadid museum; why should it so naturally accept a free book? Yes of course scale. Can a reviewer be influenced by a free $20 book? Probably not. But there is such a thing as a principle. It would seem that the practice of review copies would have passed its prime. With only a few books to review each week, certainly money is not the issue. If they want to read it, buy it. No?





MacMinute: Kensington debuts WiFi detector

I want one; in fact I need a WiFi Finder.



Architecture's Irascible Reformer

Emily Eakins of the NYT characterizes Christopher Alexander as Architecture's Irascible Reformer who has been
"waging a quixotic campaign of messianic ambition: to heal the world by reforming the way it builds.

Humanity, he says, is ailing. And the built world is both source and symptom of its disease. Where there should be beautiful buildings in harmony with nature, he says, there is mostly "architecture which is against life" instead, "insane, image-ridden, hollow."

By this, Mr. Alexander means not only strip malls, office parks and tract homes, but also much of what is fawned over these days by highbrow critics. In his view, the recent spate of flashy confections by big-name stars ?? from Frank Gehry's glittering Guggenheim Bilbao to Rem Koolhaas's interactive Prada boutique in SoHo ?? is not just pretentious and sterile. It is actually making us ill.

"Architecture is a very strange field," Mr. Alexander said over lunch here in the medieval town not far from West Dean Gardens where he grew up and has lately been spending much of his time. "It's almost as though they've induced a mass psychosis in society by introducing a point of view that has no common sense and no bearing on any deeper feeling."
I wouldn't go so far as Alexander apparently does to claim that there are "objective" standards of beauty. But there are indeed "social agreements" about what is beautiful --- consider personal physical beauty if you have any doubt --- which are so widely held and shared as to act as essentially firm standards.

Anyway, this book is far too long for me; I'll await the executive summary.

What's interesting is that Eakins (the reporter) almost seems to be shocked, as if it is a new idea, by Alexander's assertion that modern starchitecture is silly, which neatly illustrates Alexander's contention.



7/11/2003

Plenty of space to park

Plenty of space to park.
Yes, but isn't there too much of a good thing?


The Degree Confluence Project

Thanks to Nick Aster for telling me about the Degree Confluence Project as I always like to know where I am. This sign, though not quite on point, has always appealed to me:




7/10/2003

usnews.com: Special Issue: Master Builders (6/21/03)

"Art in pieces"

Brian will love this exhibit about The Art of Chess,, "an exhibition of 19th and 20th century chess sets designed by artists." (italics added)


Update to this post on moving sidewalks

See interesting reference to science fiction story The Roads Must Roll at Wikipedia. Thanks to this post at Historical Ramblings.


Copyright © 2003 David Sucher

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